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Set in the 1980s. A crime saga about the Santos Family Law Practice in El Paso of the 1980's, loosely based on the Chagra brothers' killing of Judge John Wood. Drugs, gambling, and trafficking fuel the law office of Santos & Santos, and the brothers are quick to incorporate the younger brother after the death of their father. He questions his relationship to his heritage as he sees his brothers so eagerly trying to live the life of the "American." When one of the brothers is tried for murder, Tomas leads an elaborate plot to assassinate the presiding judge in the trial.
About the Author
Octavio Solis is a playwright and director living in San Francisco. His works John Steinbeck’s The Pastures of Heaven, Ghosts of the River, Quixote, Lydia, June in a Box, Lethe, Marfa Lights, Gibraltar, The Ballad of Pancho and Lucy, The 7 Visions of Encarnación, Bethlehem, Dreamlandia, El Otro, Man of the Flesh, Prospect, El Paso Blue, Santos & Santos, and La Posada Mágica have been mounted at the California Shakespeare Theatre, Mark Taper Forum, Yale Repertory Theatre, the Oregon Shakespeare Festival, the Denver Center for the Performing Arts, the Dallas Theater Center, the Magic Theatre, Intersection for the Arts, South Coast Repertory Theatre, the San Diego Repertory Theatre, the San Jose Repertory Theatre, Shadowlight Productions, the Venture Theatre in Philadelphia, Latino Chicago Theatre Company, the New York Summer Play Festival, Teatro Vista in Chicago, El Teatro Campesino, the Undermain Theatre in Dallas, Thick Description, Campo Santo, the Imua Theatre Company in New York, and Cornerstone Theatre. His collaborative works include Cloudlands, with music/lyrics by Adam Gwon, Burning Dreams, cowritten with Julie Hebert and Gina Leishman and Shiner, written with Erik Ehn. Solis has received an NEA 1995-97 Playwriting Fellowship, the Roger L. Stevens award from the Kennedy Center, the Will Glickman Playwright Award, a production grant from the Kennedy Center Fund for New American Plays, the 1998 TCG/NEA Theatre Artists in Residence Grant, the 1998 McKnight Fellowship grant from the Playwrights Center in Minneapolis, and the National Latino Playwriting Award for 2003. He is the recipient of the 2000-2001 National Theatre Artists Residency Grant from TCG and the Pew Charitable Trust. He has also just been awarded a United States Artists Fellowship for 20012. Solis is a Thornton Wilder Fellow for the MacDowell Colony, New Dramatists alum and member of the Dramatists Guild. His new anthology, “The River Plays” has been published by NoPassPort Publishing. He is working on commissions for the Magic Theatre SF and Yale Repertory Theatre.
"Exhilarating and provocative, Octavio Solis' Santos & Santos merits a serious look by regional and Off Broadway stages. An ambitious, wickedly funny melodrama...Santos is epic in both plot and its tart, free-swinging perspective." - Variety
"Shifting between hard-core pulp fiction and high-minded symbolism...Santos & Santos is a curious but compelling stage piece." - Chicago Tribune