Full Length Play/Drama
Cast: 2 men, 2 women
Eddie, an unemployed truck driver, reunites with his ex-wife Ani after she suffers a devastating accident. John, a brilliant and witty doctoral student, hires overworked Jess as a caregiver. As their lives intersect, Majok’s play delves into the chasm between abundance and need and explores the space where bodies—abled and disabled—meet each other.
About the Author
Martyna Majok was born in Bytom, Poland, and aged in Jersey and Chicago. Her plays have been performed and developed at Steppenwolf Theatre Company, Williamstown Theatre Festival, Manhattan Theatre Club, Marin Theatre Company, Actors Theatre of Louisville, Rattlestick Playwrights Theatre, Women’s Project Theatre, Ensemble Studio Theatre, Round House Theatre, LAByrinth Theatre Company, The John F. Kennedy Center, Dorset Theatre Festival, New York Stage & Film, Yale Cabaret, The Playwright and Director Center of Moscow, Satori Group, Red Tape Theatre, and The LIDA Project, among others. Awards include the Helen Hayes Award's Charles MacArthur Award for Outstanding Original New Play or Musical, the inaugural Women’s Invitational Prize at Ashland New Play Festival, The Kennedy Center's Jean Kennedy Smith Award, Marin Theatre’s David Calicchio Emerging American Playwright Prize, New York Theatre Workshop’s 2050 Fellowship, Aurora Theatre’s Global Age Project Prize, National New Play Network’s Smith Prize for Political Playwriting, Jane Chambers Student Feminist Playwriting Prize, and The Merage Fellowship for the American Dream. Commissions from The Geffen, South Coast Rep, Manhattan Theatre Club, Marin Theatre Company, "The New Yorker" website, Ensemble Studio Theatre, and The Foundry Theatre. Publications by Dramatists Play Service, Samuel French, TCG, and Smith & Kraus. Residencies at SPACE on Ryder Farm, Fuller Road, Marble House Project, and Ragdale. BA: University of Chicago; MFA: Yale School of Drama. Martyna is currently part of the Lila Acheson Wallace American Playwright Program at The Juilliard School. She has taught playwriting at Williams College, Wesleyan University, SUNY Purchase, and as an assistant to Paula Vogel at Yale. Alumna of EST's Youngblood. Member of Women's Project Lab, The Dramatist Guild, and New York Theatre Workshop’s Usual Suspects. Martyna was the 2012-2013 NNPN playwright-in-residence. She is the 2015-2016 PoNY Fellow at the Lark Play Development Center.
“[COST OF LIVING] slams the door on uplifting stereotypes…Tremendous emotion flows around the impediments Majok has placed in the characters’ paths…In both of [the play’s] stories…the biggest handicaps are the universal ones: fear and disconnection…immensely haunting…[Majok] is exquisitely attuned to the many varieties of alienation hiding in plain sight in America.” —NY Times.
“…[COST OF LIVING] provides a piercing look at the obstacles faced by disabled people and, more importantly, the human condition in general…the characters, dialogue and situations resonate with emotional truth about loneliness, financial desperation and the vulnerability of disabled people forced to rely on others to assist them with basic human needs.” —Hollywood Reporter.
“…a deeply human depiction of life with disability…[The play] doesn’t condescend to any of the characters. Ani and John may be in wheelchairs, but that’s the least interesting thing about them in Majok’s script…Majok mines their senses of humor, diverse personality traits, and opportunities to be both likable and hateful…As much as COST OF LIVING is a play about disability, it also very much focuses on what it takes to survive in a world where you are the forgotten…Life isn’t easy, no matter what you look like, and Majok doesn’t sugarcoat it.” —TheaterMania.com.